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ARC. Adventures in Research/Creation
Our RA. Irene. wrote a version of her recent Spanish newspaper article for the Korsakow website. When Matt Met Florian.
A brief article on Korsakow in the Spanish daily newspaper ElPaís. including comments from Florian and Matt. The article was written by our grad research assistant Irene Serrano authentic how does parajumpers fit . Thanks Irene.
Collaborators in Adventures in Research Creation (ARC) met again in Montreal on January 27 & 28 for further explorations into Korsakow. Midi Onodera and Phil Hoffman were back in town from Toronto how does parajumpers fit . with Vicki Lean. MFA candidate in Film Production at York. and MBA how does parajumpers fit buy . who is working as Phil’s assistant on this project. Vicki has made a Korsakow film using her father’s 8mm home-movie footage (which we’re now curious to see). so she’s well-placed to assist on Phil’s new K-film project. Phil is working with the late Marion McMahon’s archive. including her unfinished film project as well as various stories. notes and images from her personal archive. Midi continued to work on Midi’s Mystic Oracle of Axioms which she has just completed and will be revealing on her own website on Feb 29. so make sure you consult about your future later this month. has now launched. Midi’s Mystic Oracle of Axioms, parajumpers kodiak parka women .
Also joining us this round was Nicole Robicheau. who is doing her MA in Media Studies in Communication Studies at Concordia. and working on a fascinating project about the Canada-US border at Stanstead QC and Derbyline VT. Employing voice interviews with locals in both towns and still photographs she took while doing fieldwork. Nicole is using Korsakow for the first time how does parajumpers fit . Yet her seamless sound editing. her impeccable sound quality and rich content wouldn’t give this away (demonstrating her experience as a journalist for CBC). Using photographic ‘stills’ and keeping a listener/viewer engaged is no small feat. which she’s attained already in these early stages. The insights into the changing nature of this border are numerous. as local townspeople from both sides tell of the border’s history and increasing surveillance since 9/11.
ARC co-director Matt Soar also presented some of his preliminary SNUs for Ceci n’est pas Embres. mesmerizing rotoscoped images of road travels. still-photo collages with voice-over conversations of he and his family from winter 2010 in the miniscule town of Embres in France. He’s been working with editor. Dayna McLeod. who was also present and gave mini-workshops on subtitles and her signature ‘pop’ editing style of jump-cutting interviews discount how does parajumpers fit . Korsakow programmer Dave Reisch dropped by on Day 2. and I (Monika Kin Gagnon). was also there. trying out the latest version ‘candidate. ’ Korsakow 5 how does parajumpers fit . 0. 6. while playing with my films for Dayna’s amazing weekly video production challenge. 52 pick-up. We meet again in April.
Adventures in Research Creation (ARC) had auspicious beginnings last week. Our eminent collaborators. filmmakers Midi Onodera and Phil Hoffman. joined us in Montreal for a two-day Korsakow workshop on Oct 13 & 14. with resident facilitator/artist/coach. Dayna McLeod. who provided one-on-two orientation to the Korsakow system. which we’ve invited them to explore. While seasoned filmmakers Midi and Phil. initially expressed some initial apprehension about the relation of the Korsakow system to their practices. they both launched with sweet abandon into the realm of what I nicknamed in making a Korsakow film. the ether (dreamland of ideas. love it here). production (compress your damned SNU in the right codec how does parajumpers fit activation . ) and the abyss of Korsakow mechanics (apologies to Florian and Dave. who do always make it work).
Midi is well-known since 2006 for her disciplined. calendar-structured movie-making for mobile media. with projects such as 365 Short Videos(a movie-a-day created in 2006–07). Movie of the Week (2009) and this year’s FPS which is entirely composed of still images. Movie of the Week is currently on view at the Communication Studies Media Gallery at Concordia parajumpers leather gobi . soon to be reviewed by anamorphic media artist extraordinaire and new PhD student. Alison Emiko Loader. in the online peer-reviewed. Imaginations. (You’ll find an earlier interview with Midi here. ) During the workshop. Midi deconstructed a recently completed linear film. which she shot in Tuscany this summer (feature-length in Onodera-n terms. at 10 minutes). But then shockingly concluded that her experiment hadn’t worked. The linear hadn’t so simply migrated or unbundled itself into the non-linear. Ah. sweet sound to my ears. as I’m anxiously awaiting that she begin experimenting with her footage and photos from Afghanistan where she was artist-in-residence with the Canadian Forces in September 2010. (After her talk at our department in mid-September I asked her what she’d do differently if she were able to go for a re-shoot. “I’d duct-tape iPhones and iPads to my body so they’d be ready to go at any moment. in any direction. ”
Phil was originally going to be ‘translating’ his remarkable analogue non-linear 16mm film projects. Opening Series into Korsakow. but hesitated when he decided that they were deeply committed to film (that is. the material pellicule. and the physical act of splicing that precedes each screening). and he has now changed tack. (He presented an Opening Series at our DNA Symposium in May 2011. ) Phil arrived with a little red suitcase that weighed a ton. and has another project in mind that he experimented with while here. I’ll only say that it is an unfinished film that has been patiently waiting for 15 years. Korsakow may demonstrate itself to be the perfect remedy.
Visible City Project + Archive director Janine Marchessault was also in town. and she and I observed that we had radically different filmmakers at work. Midi’s fast-paced online persona gives us everyday glimpses in regulated doses. while Phil’s deliberative approach is like watching an iceberg. wherein much lies below the surface.
It was great to have our graduate students. Irene Serrano-Vazquez and Ryan Cadrette with us. Irene just started in our Joint PhD Progamme and is here from Madrid where she will continue her work as a journalist; she will be doing research on transmedia storytelling. Ryan is an MA student in our department doing research on interactive narrative parajumpers jakke i norge . and was busily working on a Korsakow film for Matt’s course. the Media Research Lab. Our next touchdown is November 11.
— Monika Kin Gagnon
The website for Database | Narrative | Archive (Montréal. May 13-15. 2011) has just been launched. It includes information on the event. confirmed participants. and related news parajumpers pjs parka .
The deadline for submissions to D|N|A was December 15th 2010, parajumpers kodiak size chart . We received some superb proposals – over fifty in total – to our CFP ( here in English et français). We are now finalizing the program and informing applicants of the outcome of our selection process. which proved to be very challenging. And. as soon as we have the program sorted we will post it here.
Finally. for now. a huge thank you to everyone who expressed interest in this event.
Université Concordia. Montréal (13-15 Mai 2011)
Incluant une présentation non-linéaire et interactive de Florian Thalhofer (Berlin; documentariste; inventeur du système Korsakow)
Participants confirmés. Hart Cohen (UWS) parajumpers zwolle . Adrian Miles (RMIT). Steve Anderson (USC). David Clark (NSCAD). Tim Schwab (CINER-G). Elena Razlogova (CINER-G). Jason Lewis (CINER-G. Obx Labs). Monika Kin Gagnon (CINER-G. co-organisatrice). Matt Soar (CINER-G. co-organisateur).
Reflétant de nouveaux développements touchant la théorie et la production de nouveaux média. notamment les documentaires utilisant une base de données. les trames narrative interactives et l’archivage expérimental. D|N|A souhaite se pencher sur les plus importantes questions et idéologies caractérisant cette pratique émergeante – ce qui influencera probablement la formation future d’un ensemble clé de propriétés ou de dynamiques de productions. (Parmi les œuvres contemporaines caractérisant ce genre de développement. on retrouve. Planet Galata; The Thousandth Tower; Gaza/Sderot; 7 Sons; St. Michael’s Hospital; The Whale Hunt; Folk Songs for the Five Points; Klatsassin; Soft Cinema; Life after Wartime; Danube Exodus; Tulse Luper Suitcases. )
Ce symposium interdisciplinaire inclura des présentations. tables rondes. projections. expositions ainsi qu’un atelier Korsakow visant à rassembler des théoriciens. spécialistes. artistes. curateurs et programmateurs se spécialisant dans ce champ de recherche. Nous visons également à promouvoir des discussions. des échanges créatifs ainsi que des débats tout en stimulant et provoquant un engagement créatif/productif envers la communauté avant. durant et après le symposium. Les organisations et individus participants seront ainsi impliqués dans différentes activités servant de points d’entrée et de sortie pour le symposium.
Nous recherchons principalement des propositions innovatrices et engageantes adressant les champs suivants. mais nous sommes aussi ouverts à d’autres propositions pertinentes.
- engagement critique envers des œuvres existantes et/ou artistes
- l’auditoire en tant que communauté et vice versa
- engagement théorique sur le concept de l’auteur. l’interactivité. les bases de données et les archives multimédia
- précurseurs historiques (cinéma utilisant de multiples écrans; livres dont vous êtes le héro)
- différents types de média utilisant la non-fiction. archivage. entrevue/histoire orale. témoignages. ethnographique parajumpers for women on sale .
- critiques de pratiques commerciales (par exemple. Second Story; Terra Incognita)
- le potentiel et les limites de certaines plateformes spécifiques (par exemple parajumpers fake vs real . Flash. Korsakow. HTML5)
- esthétisme visuel et littérature électronique
- la présentation. distribution et les formes de circulation alternative
- potentiel pour le futur (applications portables. écrans tactiles. interfaces activées par la voix et les mouvements. iPad. HTML5. typographie expressive)
Les propositions et lettres d’intérêt (courriel seulement avec pièces jointes de type Word, pjs parajumpers prix . PDG ou plaintext) doivent être envoyées à Matt Soar et Monika Kin Gagnon au dnasymposium@gmail. com. Veuillez nous indiquer en environ 500 mots l’idée. recherche et/ou œuvre créative vous désirez présenter au symposium. et gardez en tête que nous avons un intérêt marqué pour les présentations qui se démarquent du style traditionnel typique aux conférences. Votre proposition peut traiter d’un projet en cours. mais ce dernier doit être suffisamment avancé pour être présenté (du moins en partie) en Mai 2011. Ajoutez un petit paragraphe nous expliquant qui vous êtes. vos champs d’intérêt et comment vous contacter. La date limite révisée est le 15 décembre 2010.
D|N|A est organisé par CINER-G. le Concordia Interactive Narrative Experimentation & Research Group. qui est supporté financièrement par le FQRSC. l’Université Concordia (VP Recherche et Études Supérieures). et l’Institut Goethe. Pour plus d’information how does parajumpers fit . mises à jour et modification à cet appel de propositions. veuillez visiter. www. cinerg. ca
In June 2010. Jacqueline Wallace. a member of the CINER-G research team. interviewed Korsakow inventor Florian Thalhofer by email about his creative and philosophical approach to Korsakow filmmaking. They touched on some of Florian’s current projects. some of them involving other creators.
I don’t want to claim that what I am showing is the truth. I don’t believe in truth. Every individual develops his or her own sense of reality. It is a human need to exchange ideas about reality. We can learn so much from other peoples’ views because other peoples’ eyes see things from a different angle. Another person might see options and possibilities that you—from your point of view—cannot see. This is even more so. when you talk to people from another culture or background. The further that somebody is away from your own thinking. the more radical the options you get for your own life. but also the more difficult it is to get a clear picture of what the person “really” means. It is like looking at a sculpture. you see what you see from your angle. When you talk to someone right next to you about what he sees. you can imagine it quite well. But when you talk to someone at the other side of the sculpture and he describes what he sees. it is hard for you to imagine exactly what he sees. But of course the view from the other side tells you so much more about the sculpture. Of course. I am not looking at sculptures. I try to look at life.; -).
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